Visit The Independent Artist Network Find more music like this on The Independent Artist Network It Is Better To Be Alone Than In The Wrong Company Tell me who your best friends are, and I will tell you who you are. If you run with wolves, you will learn how to howl. But, if you associate with eagles, you will learn how to soar to great heights. A mirror reflects a man's face, but what he is really like is shown by the kind of friends he chooses. The simple but true fact of life is that you become like those with whom you closely associate for the good and the bad. The less you associate with some people, the more your life will improve. Any time you tolerate mediocrity in others, it increases your mediocrity. An important attribute in successful people is their impatience with negative thinking and negative acting people. As you grow, your associates will change. Some of your friends will not want you to go on. They will want you to stay where they are. Friends that don't help you climb will want you to crawl. Your friends will stretch your vision or choke your dream. Those that don't increase you will eventually decrease you. Consider This: * Never receive counsel from unproductive people. * Never discuss your problems with someone incapable of contributing to the solution, because those who never succeed themselves are always first to tell you how. * Not everyone has a right to speak into your life. * You are certain to get the worst of the bargain when you exchange ideas with the wrong person. * Don't follow anyone who's not going anywhere. * With some people you spend an evening: with others you invest it. * Be careful where you stop to inquire for directions along the road of life. * Wise is the person who fortifies his life with the right friendships.

Change from Damian Steinberg on Vimeo.

In 1915, Estes' father, a sharecropper who also played some guitar, moved the family to Brownsville, Tennessee. Not long after, Estes lost the sight of his right eye when a friend threw a rock at him during a baseball game. At the age of 19, while working as a field hand, he began to perform professionally. The venues were mostly local parties and picnics, with the accompaniment of Hammie Nixon, a harmonica player, and James "Yank" Rachell, a guitarist and mandolin player. He would continue to work, on and off, with both musicians for more than fifty years. Estes made his debut as a recording artist in Memphis, Tennessee in 1929, at a session organized by Ralph Peer for Victor Records. His partnership with Nixon was first documented on songs such as "Drop Down Mama" and "Someday Baby Blues" in 1935; later sides replaced the harmonica player with the guitarists Son Bonds or Charlie Pickett. He later recorded for the Decca and Bluebird labels, with his last pre-war recording session taking place in 1941. He made a brief return to recording at Sun Studio in Memphis in 1952, recording "Runnin' Around" and "Rats in My Kitchen", but otherwise was largely out of the public eye for two decades.
Estes was a fine singer, with a distinctive "crying" vocal style. He frequently teamed with more capable musicians, like "Yank" Rachell, Hammie Nixon, and the piano player Jab Jones. Estes sounded so much like an old man, even on his early records, that blues revivalists reportedly delayed looking for him because they assumed he would have to be long dead, and because fellow musician Big Bill Broonzy had written that Estes had died. By the time he was tracked down, by Bob Koester and Samuel Charters in 1962, he had become completely blind and was living in poverty. He resumed touring and recording, reunited with Nixon and toured Europe several times and Japan, with a clutch of albums released on the Delmark Records label. Though his later records are generally considered less interesting than his pre-war output. Nevertheless, Estes, Nixon and Rachell also made a successful appearance at the 1964 Newport Folk Festival.
Bob Dylan mentions Estes in the sleevenotes to Bringing It All Back Home (1965).
Many of Estes' original songs were based on events in his own life or on people he knew from his home town of Brownsville, Tennessee, such as the local lawyer ("Lawyer Clark Blues"), local auto mechanic ("Vassie Williams' Blues"), or an amorously inclined teenage girl ("Little Laura Blues"). "Lawyer Clark Blues" referenced the lawyer, and later judge and senator, Hugh L. Clarke. Clarke and his family lived in Brownsville, and according to the song let Estes 'off the hook' for an offense.
He also dispensed advice on agricultural matters ("Working Man Blues") and chronicled his own attempt to reach a recording studio for a session by hopping a freight train ("Special Agent (Railroad Police Blues)"). His lyrics combined keen observation with an ability to turn an effective phrase.
Some accounts attribute his nickname "Sleepy" to a blood pressure disorder and/or narcolepsy. Others, such as blues historian Bob Koester, claim he simply had a "tendency to withdraw from his surroundings into drowsiness whenever life was too cruel or too boring to warrant full attention".

Death
Grave of Sleepy John Estes (2008)
Estes suffered a stroke while being in preparations for a European tour, he died on June 5, 1977, in his home of 17 years in Brownsville, Haywood County, Tennessee. Estes is buried at Elam Baptist Church Cemetery in Durhamville, Lauderdale County, Tennessee.
His gravemarker reads:
Sleepy John Estes
".. ain't goin' to worry Poor John's mind anymore"
In Memory
John Adam Estes
Jan. 25, 1899
June 5, 1977
Blues Pioneer
Guitarist - Songwriter - Poet
Sleepy John Estes' epitaph ".. ain't goin' to worry Poor John's mind anymore" was derived from his music. "I Ain't Gonna Be Worried No More" was recorded in 1935, and in his song "Drop Down Mama", also recorded in 1935, Sleepy John refers to himself as "Poor John". Estes' grave at Elam Baptist Church Cemetery in Durhamville is located off a country road and at the far end of the cemetery. His grave is adjacent to a small grove of trees, secluded but not hidden.
In 1991, Estes was posthumously inducted into the Blues Hall of Fame.
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